Desenhar em Museus de arte antiga e arte moderna. Desenhar na Gulbenkian.

Depois da aula da Catarina Dias, em que ela sugeriu a descoberta de museus, curiosidades, antiguidades e afins, fica a sugestão para que desenhem no magnifico espaço que é a Gulbenkian. Exteriores (esplêndido jardim e edifícios) e interiores (esplêndidas colecções) objectos e arte.

Mais um desafio para o desenvolvimento do vosso caderno gráfico. IB

“The Calouste Gulbenkian Museum in Lisbon (the “Gulbenkian”) owes its existence to one man. Calouste Gulbenkian revealed his passion for art at an early age, reflecting his upbringing in Cappadocia and Constantinople, both crossroads of civilizations. Throughout his life, he assembled an eclectic and unique collection that was influenced by his travels and his personal taste. His collection now totals over 6,300 pieces from all over the world and dating from antiquity to the early twentieth century (including examples from ancient Egypt, ancient Greece, Babylonia, Armenia, Persia, Islamic Art, Europe, and Japan). The Paris-based collection was divided for security reasons in the 1930s and part was sent to London. In 1936, the collection of Egyptian art was entrusted to the care of the British Museum while the finest paintings went to the National Gallery. Later, in 1948 and 1950, the same works would be sent on to the National Gallery of Art in Washington. As his collection grew, Gulbenkian grew more concerned about how to preserve his achievement. In 1937 he started discussions with Kenneth Clark, who had advised him in assembling his collection, about a “Gulbenkian Institute” at the National Gallery in London. However, during World War II, he was declared an “enemy under the act” by the British Government and they temporarily confiscated his share of the oil from the Iraq Petroleum Company. Although this was a technical legal decision, this action by his adopted country irritated him. Consequently he then considered the National Gallery of Art in Washington as a potential home for his collection and in 1943 began negotiations. At the time of his death in 1955, Gulbenkian does not appear to have decided where he wanted his collection to be housed and finally left it to his British lawyer, Lord Radcliffe to decide. However it was clear that Gulbenkian wanted his collection brought together under one roof where people could appreciate what one man could achieve in his lifetime. After his death, arduous negotiations with the French Government and the National Gallery in Washington ensued. In 1960, the entire collection was brought to Portugal, where it was exhibited at the Palace of the Marquises of Pombal (Oeiras) from 1965 to 1969. Fourteen years after Gulbenkian’s death, his wish was fulfilled, when the Calouste Gulbenkian Museum was opened in Lisbon. The large premises, comprise the museum and headquarters of the Gulbenkian Foundation, and were designed by the Portugese architects Ruy Athouguia, Pedro Cid, and Alberto Pessoa. The museum is located within a landscaped park, at the intersection of Av. de Berna and Av. António Augusto de Aguiar, in Lisbon. Sharing the serene gardens of the Gulbenkian Museum is the Modern Art Center, containing modern and contemporary Portuguese and foreign art displayed on two floors, including works by Paula Rego, Almada Negreiros, Souza Cardoso, and Vieira da Silva. As a cultural center, the Gulbenkian Foundation sponsors plays, films, ballets, and concerts, as well as a rotating exhibition of works by leading modern Portuguese and foreign artists.” Visit the museum’s website at … www. http://museu.gulbenkian.pt

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